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SEPTEMBER 2006
FEATURES
Hristo Shindov by Larry Brownstein
John Beckett Sees the Light in the Desert as the Big City Fades to Black by Robert Neubert
Rolando Gomez: Fashion Photographer by Michelle Perkins
The Strobe Slipper by Bruce Dorn
Lime Splash by Anton Heiberg
3 Easy Pieces: Finding Directional Lighting by Kevin Jairaj
Breaking the Light by Harvey Lloyd
Diffusion Confusion by Peter Kotsinadelis
Finding the Light by Neil van Niekirk
Continuous Light Sources by Vin Isola
Rf Cookbook by Joe Morahan
The Return of Dean Collins’ Finelight by Tim Mantoani
Photoshop CS2 How2 by Peter Eastway
Urban Nighttime Portrait Sessions by Chung Chan
Glamour Lighting for Digital Capture by Claude J. Jodoin
Quality of Light by Glenn Rand
Book Review: Koalas: Moving Portraits of Serenity  
 
COLUMNS
Insight/On the Cover by Bill Hurter
Field Test by John Rettie
Digital Photography by John Rettie
The Last Word by Al Gordon
 
DEPARTMENTS
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Problems & Solutions  
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Rangefinder Magazine
September 2006

The Last Word by Al Gordon
Lighting Depth

Lighting Depth

photo COPYRIGHT © al gordon

A past wedding client called me about doing a straightforward business portrait. I remembered that she was the head of a local Episcopal school. I had recently read a book by William McIntosh that had an amazing photo of Don Blair posing a subject with his class behind.

I knew that Jan Pullen was pleased with the recent wedding we photographed for her son, so I said, “Jan, you trust me, right? I have an idea.”

My goal was to create a unique image that would embody the crucial role a head of school plays in education. I began describing the image I had in mind with Jan. I’m not sure she understood the concept totally, but she said she trusted me and we could go with it. It took almost six months of planning and scheduling to create the image.

About two weeks before the session, I scouted out the gymnasium at St. Stephen’s Episcopal School. The bleachers extended out a long way, and I did not want some kids in focus more than others. I knew that a telephoto lens and a lot of flash power would be the key. My goal was to have the children slightly out of focus, to draw attention to the sharp subject. I figured I would need nine Photogenic PowerLights to get enough light. I borrowed some extra strobes (and helping hands) with the promise of a free breakfast.

We set up at 7:00 a.m. because the gym was in use after 8:45. I used two 8-foot long tables about 15 feet away from the kids with three PowerLights each, with overlapping umbrellas on 12-foot stands (making them about 16 feet high). We metered the kids for f/16 throughout. I wanted the students one stop darker than the subject so she would stand out in the image. I placed Jan about 25 feet in front of the kids so I could light her separately. I only used umbrellas with black backing to avoid spill onto the subject.

photo COPYRIGHT © Jeffery Frayer

I used two softboxes to light her—the main light at f/22 and the fill at f/8.5. I also added a grid spot as a separation light. She was standing on an 18-inch riser to place her in the proper position and only have students behind her. I stood about 12 feet in front of her on a table.

We exposed the camera for 1/60 at f/22. I asked Mrs. Pullen (and the 60 or so children) to dress in dark solid colors. Jan chose dark green because it is one of the school’s colors. I had her bring a dark notebook for something to hold. We took photos of her turned both to the right and to the left, holding the notebook, and crossing her arms.

I have to admit, the amount of watt-seconds going off with each shot was a major rush! The entire shoot took about 10 minutes, and we were out of the school’s gym with plenty of time before the 8:45 gym class.

I did normal retouching and changed some clothing on the kids to blend the image better. The 24x30 portrait was delivered in time for our booth at a Junior League Gift Market. The response to the image has been amazing. We have had several bookings directly because of the portrait. It will soon hang in St. Stephen’s Episcopal School in Bradenton, Florida.



 

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