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Rangefinder
Magazine
July 2003
Rƒ Cookbook by
Peter Skinner
Oscar Lozoya’s Jugando con La Muerte
Parody, humor and a cautionary tale are intertwined
in this superb black-and-white image from Oscar Lozoya’s La Muerte
series. The title, Playing with Death, says it all and one only has to
study the photograph to see the array of vices that tempt the hapless “victim” on
the right.
Based in Albuquerque, New Mexico, Lozoya began his La
Muerte series several years ago, infusing his images with Hispanic humor
that
mock and have
fun with death. The “dead,” their faces made up as skeletons,
play everyday roles (albeit not exactly normal roles) as they spoof the
afterlife. In Jugando con La Muerte, the cautionary message comes through
loud and clear with vices such as gambling, boozing, drugs, smoking and
sins of the flesh all being flaunted before the intended victim as he
plays with the dead. And at the apex of the triangular composition, a
portrait of the patron of vice “Dona Vismuerte” gazes down
on the smoke-filled den of iniquity.
This well planned and brilliantly
executed image was enhanced by a stroke of luck. Even though Lozoya says
he’d like to say he planned for
the rising cigar smoke to fit perfectly with the triangular composition,
it was pure luck. But, given the subject matter, maybe some supernatural
force was at work (or play)? No way! That couldn’t happen, could
it?
INGREDIENTS
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Camera: Mamiya RZ 67 Pro II
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Lens: Mamiya 180mm
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Lighting: Main and fill: Speedotron with soft boxes; Speedotron spot
to light background photo on wall; Speedotron skimmers and hair light.
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Film: Kodak Tri-X 120 |
The lighting was fairly complex and Lozoya placed the
main light directly above the camera and a fill light beneath the lens
to direct light under
the accordion player’s hat and illuminate detail in the shadow
areas. A spotlight to the right was directed at the photograph on the
wall in the background. A hair light and two skimmers illuminated the
models’ shoulders and hair, and also backlit the cigar smoke, making
it stand out against the darkness of the unlit areas of the room.
This
image is included in the La Muerte section of Oscar Lozoya’s
new book, The Art of Black and White Photography, published by Amherst
Media.
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