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Rangefinder
Magazine
July 2003
Digital Photography: by John Rettie
Upgrading Your
PowerMac G4
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| Apple’s 20-inch Cinema Display is an attractive
looking monitor that delivers a stunning display. |
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Like many long time computer users I used to replace
my computer once every 18 months to two years. Why? The pace at which
they improved all but forced it on us. If you wanted to run the latest
software or you got frustrated with slow operation it was a necessity.
However, in the last couple of years computer improvements, both Macs
and PCs, seem to have plateaued.
Sure, the newest models run faster than
those produced a couple of years ago but other than pure speed of operation,
there is not a lot to differentiate them. Newer computers have more RAM,
bigger hard drives and many, especially Macs, include DVD writers in
place of CD writers. Of course, items such as these can be hooked up
as external peripherals and memory can easily be expanded.
This has been
my personal experience during the past three years since I purchased
a PowerMac G4 with dual 450MHz processors in 2000. At the
time it was the second fastest and second most expensive Mac G4 on the
market and cost about $2500. It came with a 30MB hard drive, 256MB of
RAM and a DVD drive. I immediately upped the RAM to 512MB and I was very
happy with the computer’s performance. I needed a CD burner almost
immediately so I started using an external QPS CDRW drive connected through
the FireWire port. As memory prices dropped, it was a no-brainer to add
another 512MB of memory, giving me a total of 1GB.
That made a big difference,
as I never found myself running out of memory. Next, I found myself running
out of storage space so I got an 80GB Seagate hard drive, which I added
as a second internal drive.
At the same time I also switched to Mac OS
X, so I installed it on this hard drive and set the computer up to boot
off this drive rather than
the main drive, which I reserved for OS 9 and its applications. This
is how I have been running my machine for the past 18 months. The only
change I made about six months ago was to buy a DVD-R/RW drive, which
will, of course, also burn CD-Rs. It was one of the second generation
Pioneer drives (A-104), which was the first drive available for under
$300 and was also the model used by Apple as its Superdrive, so it was
totally compatible. I got one with a rebate just as the newer and faster
model hit the market. Price was more of a concern for me than anything
as I still burn CD-Rs and only the occasional DVD. I was able to buy
an external FireWire drive case at a discounted price as well. Otherwise
I would have just swapped it for the CDRW drive in the QPS case. Ironically,
just after I’d purchased this case I bought another one for the
same price at CompUSA that included a 40GB hard drive for only $50, after
rebates. Now I have an external hard drive as well as the DVD-R drive
hooked up to the computer. It’s really a great benefit to have
as many hard drives as possible as it makes it so much easier to make
quick backups and sort images by making copies in new folders on a different
drive.
Last year I borrowed an Apple PowerBook laptop and decided
that when I’m ready for my next new computer, chances are high
that I’ll
get a PowerBook and use it as my main computer, as well as my portable.
I am still planning on that, although I have no desire (read budget)
or need to buy a new computer at this time.
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| You’ll need a new graphics card such as the
ATI Radeon 9000 Pro, in order to use the Cinema Display |
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Nonetheless, I decided it
would be an interesting exercise to check out some of the upgrades that
could be pursued in order to bring my three-year-old
Mac up to the level of performance of a current G4 Power Mac. Essentially,
today’s (end of May) top end G4 has a faster system bus on the
motherboard, dual 1.25 GHz processors, 512 MB of Ram standard, improved
graphics card, a 120GB hard
drive and a Superdrive (DVD burner). It sells
for about $2700, which is essentially the same price as I paid for
my machine three years ago. It has an additional double-speed 800 Mbps
Firewire
port and Bluetooth wireless connectivity. While these last two components
are worthwhile, they are leading edge and there are not yet many products
that use them. All in all the only major difference from my machine
is the Radeon 9000 Pro graphics card and the faster processors and motherboard.
When
I checked eBay to see what my computer would be worth, I discovered that
I would only net about $800, not including the extras I’ve
added, which are worth about $500. It’s kind of sad to see it worth
so little, as Macs used to hold their value quite nicely. What it does
mean is that it’ll effectively cost less to upgrade my old G4 to
be close in performance to a current model. In the past, that was not
often the situation. Essentially the two main things that would be needed
to upgrade my computer would be faster processors and a better graphics
card.
Apple Cinema Display
The stars all seemed to align as I was preparing this column. I have
wanted to review the newest Apple 20-inch Cinema display for some months.
At a cost of $1299, this LCD monitor is quite a bit more expensive than
the 17-inch LCD monitors I’ve tried recently, but it’s significantly
less costly than the 23-inch Cinema display that I reviewed last summer.
At that time, the 23-inch model cost $3499 but it certainly delivered
incredible quality and a large display area. It’s still available
but it’s price has dropped to $1999. As the 20-inch display has
similar specs for 2/3 the price it seems a better value.
Both the Cinema
displays require a newer graphics card in order to display images correctly.
Fortunately, the Radeon 9000 Pro is compatible with
all PowerMac G4s, although an adaptor is required to power the monitor
with G4s produced prior to the Gigabit model, which was introduced in
July 2000. That’s the model I have so it was an easy job to take
out the graphics card (ATI Rage) that came with the computer and plug
in the Radeon 9000 Pro. There is just a single cable running from the
card to the monitor, as it supplies the video signal, power, and dual
USB ports on the back of the monitor. This is a neat solution as it avoids
the need for three separate cables and allows the keyboard and mouse
(or any other USB peripherals) to be plugged into the back of the monitor
for an uncluttered desktop.
The Cinema display came to life immediately.
I restarted the computer and it automatically set itself at the correct
1680 x 1050 resolution.
This is an unusual size but it’s ideal, as it allows one to view
two pages side by side and have room along the bottom for the OS X dock
and along the right edge for folder icons, etc. The monitor has received
rave reviews from everyone who has tried it and I can see why. It has
a perfectly evenly lit display across the whole screen with no fall-
off in the corners, which seems to be a problem with a lot of LCD screens.
Text is perfectly crisp with no blurring, even when scrolling. Images
show their correct colors even when viewed at an angle. All in all, it’s
one of the nicest monitors I’ve ever used, including high-end CRTs.
When you consider how many hours you spend in front of a monitor it’s
an important area where spending money for a better quality display pays
off in productivity and comfort.
Now that my Mac has the latest graphics
card and monitor, it already feels much better. I’m not sure I
can quantify any difference in speed of graphics drawing that is a result
of the LCD monitor or whether
it’s the card. I guess I should test the card with an old CRT monitor
to see if there’s any difference.
Next I plan to up the RAM from
1GB to 1.5GB and replace the 30GB hard drive with a 120GB drive. Once
I am sure everything is stable I will
perform the biggest upgrade of all—replacing the CPU with a third-party
processor upgrade card. I plan to try out the PowerLogix PowerForce G4
upgrade with dual 1.0 GHz processors. The instructions make it appear
to be a simple swap. I’m sure it’ll be subjectively faster,
but I need to do some objective timing before and after to determine
if there is real value in spending nearly $900 to upgrade the processors.
Stay tuned…I’ll report on my findings next month.
Quick Book
Review:
The Photoshop Book for Digital Photographers
It’s interesting reading author Scott Kelby’s introduction
to this book as it lists all the subjects that are missing from the book,
such as how to take good photographs or what sort of computer or printer
one should buy to optimize the usage of Photoshop. Nor does The Photoshop
Book for Digital Photographers (published by New Riders, 384 pages, $39.99)
tell you the basics of learning Photoshop. Instead, Kelby delves right
in to describing how to use Photoshop in a professional photographer’s
workflow to get the best results. He even begins by starting with the
browser function in Photoshop and how to make contact prints. From there
on the book is laid out with separate techniques that are described in
easy-to-understand steps with color screen shots of each process. If
you want to learn how to optimize sharpening, retouching, dodging and
burning, color correcting, adding fill flash, etc., you only need to
go straight to the relevant section. Although it doesn’t look like
it, the book is more akin to a reference book, as it can be picked up
and used for learning how to use one technique at time, rather than having
to be read chapter by chapter.
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| Scott Kelby’s The Photoshop Book for Digital
Photographers is aimed directly at professional photographers who
are already users of Photoshop. |
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Nonetheless, the book is written in an
easy-to-read manner with some humor (such as “fixing grannies”)
and sarcasm (“for some reason creating a color inkjet printer that
prints a decent black-and-white print is still apparently beyond our
grasp. Don’t get me started.”) thrown in for good measure.
The book is aimed at professional photographers and includes photographs
and techniques from accomplished professionals such as Jim DiVitale and
Kevin Ames.
Kelby is well know as a Photoshop guru who lectures,
authors books, edits and publishes magazines as well as running the National
Association of Photoshop Professionals, which includes organizing Photoshop
conferences.
John Rettie is a photojournalist who resides in Santa
Barbara,
CA. He has been using a camera as a professional for 33 years, a
computer for 23 years, and has combined his knowledge of both for the
past ten
years. Readers can contact him by e-mail at john@johnrettie.com or
by snail-mail in care of Rangefinder magazine.
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