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Rangefinder
Magazine
November 2002
The Rf Cookbook: Cross-Processing
Artistry by Jen Bidner
Bambi Cantrell Achieves This Effect with Film and Digital
INGREDIENTS • Digital Camera:
Canon EOS 1D
with EF 70-200mm f/2.8L lens • Film Camera: Hasselblad 503W
with 100mm lens • Flash: None • Film (Cable Car
shot): Kodak
Ektachrome 100SW |
For the past few years, Bambi Cantrell
of Walnut Creek, California, has offered her wedding and portraiture clients
fresh, spirited portraits using the cross-processing technique. One or
two of these unusual shots add an artistic flair to any album.
Cross-processing is a technique
in which color transparency film is processed in C-41 negative chemistry
to produce a negative with altered tones and contrast—or vice versa,
and color negative film is developed in E-6 transparency chemicals to
produce a positive image.
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| TRADITIONAL Cross-Processing: Bambi Cantrell shot
this image on Kodak Ektachrome 100SW and processed it in C-41 negative
chemicals. |
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“Starting with color negative
film produces a softer result, but I prefer starting with slide film because
I shoot most of my other work on negative films, and I can keep my printing
consistent,” explains Cantrell.
“This technique works great
if you have strong red, green or blue tones in the picture. I usually
ask my clients to wear vivid colors if they want that look,” she
adds.
Usually, Cantrell uses Kodak Ektachrome 100VS film because its saturation
yields even more exaggerated colors. However, in the cable car photo shown
here, she used Ektachrome 100SW, but laments that this warmer film tends
to make the flesh tones greener."
Not every lab will do cross-processing, and the best labs are careful
to monitor its chemicals, so there is no bad effect on other films processed
at the same time or afterwards. Cantrell highly recommends two labs for
the process: Image Experts in Hollywood, California (888) 846-2439 and
Pictage in Huntington Beach, California (310) 318-3885.
“Cross-processing is exciting to shoot, because it is unpredictable—and
I love that,” says Cantrell. Even so, she has recently begun doing
more digital imitations of the technique.
Digital Cross-Processing: Through experimentation, Bambi Cantrell has
found that she can digitally manipulate images to quickly imitate the
cross-processing effect. She begins by scanning an image, or shooting
an original digital photo with her Canon EOS 1D digital camera. She then
uses the brightness/contrast controls in Adobe Photoshop to bump up the
contrast about 50%, and then makes minor color adjustments.
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| DIGITAL Cross-Processing: For this image, Bambi Cantrell
imitated the cross-processing technique digitally with Adobe Photoshop. |
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Be forewarned, however, that this
causes all the shadows to go very black. Faces therefore must be relatively
shadowless (turned toward the sun or filled with flash), or the eye sockets
and other shadowed areas will become ugly black slashes.
For more examples of her images, visit Bambi Cantrell’s website
at www.cantrellportrait.com.
Bambi Cantrell will be a featured speaker at WPPI 2003 to be held at BALLY’S
Las Vegas. Her program is entitled, “The Wedding Ritual: Creating
a Photographic Essay.”
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