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Rangefinder Magazine
Archives
October 2000
Web Sight: Corel Knockout
by Marshal M. Rosenthal
Back in the pre-digital days, time were tough if you made a mistake
and included something in your photo that was unintended. This could
be anything from catching the arm of an assistant to picking up
part of a light stand. We wont even go into the trials and
tribulations of the on-location shoot: passerbys getting in the
way, trucks that parked on the perfect street, and power
lines crisscrossing and destroying that perfect vista of the sky.
Who didnt cheer when digital graphic software started to make
it possible to airbrush on the computer screen; no longer
having to go to an expensive airbrusher was bad enough, but having
to own up to not seeing that crushed bag in the shot, or the rumpled
shirt or dirty shoe on the model was embarrassingand often
costly since there wasnt a budget for fixing such mistakes
(i.e., it came out of your pocket).
One of the first retouching programs that really was
useful was Ultimattes KnockOut (we reviewed it a few years
back). Using it, you could remove images from the foreground without
major heartache. Even tricky things like stray hair could be managed.
While the learning curve was not minor, it wasnt odious eitherthe
main impediments to using the program were the price and the fact
that you had to stick a dongle into the computer to
make it work (the software basically checked for this pass-through
device, declared your version legal and became active). The real
downside to the program was that its company didnt keep it
current and pretty much forgot all about it. It didnt send
KnockOut to the mat, but it sure wasnt scoring any points
as time danced around it.
So it is good news to hear that Corel Systems not only bought Knockout
from Ultimatte, but has updated it. We got in touch with Program
manager Sean McLennan to get the skinny on what changes have been
made to make the software more up-to-date and useful for todays
photographer/digital imager.
Rangefinder: First, what are the overall changes
or differences in the basic use of Knockout 1.5 as compared to the
previous versions?
McLennan: The basic feature set and use of the product remain basically
the same for our Windows/Mac users. Our objective was to fine-tune
certain areas of the product.
Rangefinder: Still, isnt there anything
new about this version worth noting?
McLennan: Of course. This is the first box version of [Corel] KnockOut
for Windows. This means for PC users that images, tutorials and
manuals are provided for the first time.
There are also a number of specific features worth noting as well
that make KnockOut impressive. These include:
*Loupe Cursorwhich allows users to interactively zoom and
mask at the same time - ideal for fine masking.
*Background Imageenabling users to be able to insert an image
(from an included library or from disk) as their KnockOut backgroundrather
than just a flat color.
*Automatic Error Handlingwhich eliminates the potential of
creating errors by automatically expanding overlap areas and not
allowing the user to insert in a place of error.
*The Syringe Toolcursor has been modified with a live swatch
that amplifies the underlying color. This tool allows for finer
control of the individual pixel color value.
*Selective removal of Syringe Pointsa marquee mode for the
Syringe tools which allows users to selectively remove Syringe points
rather than having to delete all.
*Keyboard Shortcutsall tools now have shortcuts for faster
access by power users.
The images include the original image, which in this case is a butterfly,
and 3 other images where the butterfly has been knocked out
and placed in the new image. These particular images show the precision
of the application when masking blurred or fuzzy images. You can
also see how well the transparencies are maintained throughout the
images.
Rangefinder: So the interface and program
havent followed the trend lately to become dummied
down for use by the less skillful?
McLennan: KnockOut remains a professional product. The advances
Corel has made to the product are to the tools that our professional
user base typically finds difficult to use.
Rangefinder: If you had to compress all the
information and knowledge about this program in your head into a
few sentenceswhat would that be?
McLennan: That Corel KnockOut is an exceptional image masking program
that provides professional designers with very accurate and powerful
tools to mask, or cut objects away from a background image
(typically done so that it can be placed/merged onto another background
image). People, for example, can require a lot of workmasking
strands of hair can be extremely tedious and time consuming. The
unique strength of Corel KnockOut is that it reproduces the soft
transitions of foreground edges, however wide or variable in density,
while removing any trace of the visible background in that transition.
When this knocked out foreground is combined with a
new background, the transitions have the same transparency as the
original. The software doesnt just work, but works well and
provides the professional photographer with the results he/she requires.
Rangefinder: Finally, why has the dongle
been eliminated?
McLennan: It is not Corels security policy to use dongles.
Our users said it could limit their use of Corel KnockOut if the
dongle was lost or not functioning correctly. We listened to what
they said and acted accordingly.
More information on Knockout can be found at www.corel.com/corelknockout/.
A free upgrade offer for users of 1.0/1.1 version is also available
at this site (shipping/handling charges for the CDROM), and a downloaded
version of the software can be purchased as well. In addition, an
online Quicktime-based tutorial can be accessed.
System Requirements
Knockoutfor the PC or Mac; $239.00 retail (Mac or PC).
Requirements: Windows 95, Windows 98 or Windows NT 4.0; Pentium®
133 processor,64 MB RAM, 8X image size (RGB + Alpha) recommended,
2X CD-ROM drive, VGA monitor with 24-bit color display adapter,
Mouse or tablet
Requirements: Power Macintosh, MacOS 7.61, 2 MB RAM plus 5X image
size, 256-color display adapter (24-bit recommended).
Marshal M. Rosenthal is a photojournalist based in Los Angeles,
and a frequent contributor to many imaging and computer publications.
He can be reached at marshalr@pipeline.com/.
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